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SUMMARY:Recycled Runway
DESCRIPTION:Recycled Runway: an All-Ages Climate Art Workshop with Sari Nordman.\nCreate a colorful\, one-of-kind wearable accessory from recycled plastic that celebrates your individual NYC style! Arts Center Resident Artist Sari Nordman addresses eco-anxiety through environmental art projects that foster social engagement and utilize recycled plastic. Drawing on 15 years of experience as a teaching artist in NYC public schools\, Sari finds joy in sharing their practice and collaborating with diverse communities.  \nAll materials will be provided\, though participants are encouraged to bring clean\, colorful recycled plastics such as shopping bags\, newspaper sleeves\, and toilet paper or paper towel packaging. Stay for the entire event or drop in for a few minutes. \nThe workshop will be ongoing from 1-3pm\, and visitors are welcome to participate for as long as they would like. \nReservations to help us track interest and capacity are not required but are ENCOURAGED!  \n  \n\nSari Nordman is an interdisciplinary artist. She creates public art projects\, fiber-art installations and mixed media works. Many of her projects have been informed by climate change and respond to environmental justice issues. \nNordman’s works have been exhibited at Jamaica Center for Arts and Learning (Jamaica Flux)\, South Street Seaport (Art at The Edge) and Thomas Cole National Historic Site (Upstate Art Weekend). Her works have received grants from Foundation for Contemporary Arts\, Frame Contemporary Art Finland and New York State Council on the Arts (NYSCA). She is a participant in Lower Manhattan Cultural Council’s (LMCC) 2026 Arts Center Residency Program. She has served on environmental artist panels discussing her works and the social engagement in her process at the Hirshhorn Museum\, COAL + ICE at The Kennedy Center and Climate Art Panel at South Street Seaport. \nNordman develops a podcast Tower: Bridging Voices on Climate Change. She holds a M.F.A. from NYU/Tisch School of the Arts. \nsarinordman.com  \n\nPhoto by Sari Nordman
URL:https://lmcc.net/events/recycled-runway-art-workshop-with-sari-nordman-2/
LOCATION:LMCC’s Arts Center at Governors Island\, Building 110\, Governors Island\, New York\, NY\, United States
ATTACH;FMTTYPE=image/jpeg:https://lmcc.net/wp-content/uploads/2026/05/Climate-Art-Workshops-Eventbrite-01.jpg
END:VEVENT
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DTSTART;TZID=America/New_York:20260801T130000
DTEND;TZID=America/New_York:20260801T150000
DTSTAMP:20260722T160719Z
CREATED:20260521T154206Z
LAST-MODIFIED:20260722T160719Z
UID:10000200-1785589200-1785596400@lmcc.net
SUMMARY:Hybrid Animal Encyclopedia
DESCRIPTION:Step into a space of imagination and invention\, where new hybrid creatures begin to appear! \nUsing images from books and their own drawings\, participants will create collages that merge dinosaurs with present-day animals. \nAs these creatures take shape\, participants enter a world of storytelling and transformation. Together\, these creatures form a speculative bestiary—an imagined collection of living beings that might exist in possible worlds. Each creation becomes a page in this shifting Hybrid Animal Encyclopedia\, a meeting point of memory and invention\, nature and imagination\, past and future. Participants and families take their collages and drawings home\, each holding a personal fragment of this imagined world. \nReservations to help us track interest and capacity are not required but are ENCOURAGED!  \nThe workshop will be ongoing from 1-3pm\, participants are welcome to stop by and stay for as long as they wish. \n\nBased in New York since 2001\, Nobuho Nagasawa is a transnational\, transdisciplinary artist trained in Berlin and invited to the United States by the California Institute of the Arts in 1986. She creates immersive\, site-responsive environments shaped by time\, process\, and collective engagement. Approaching each site like an archaeologist\, she uncovers hidden histories\, ecological and psychological traces within the landscape. Her practice explores how perception\, memory\, and embodied experience shape our sense of place. Nagasawa has received major grants and awards\, including DAAD (German Academic Exchange Service)\, the Rockefeller Foundation\, the California Arts Council\, multiple Japan Foundation grants\, and the SUNY Chancellor’s Award for Excellence in Scholarship and Creative Activities. Among more than forty completed public art commissions\, she has earned three Design Excellence Awards. A recent project exhibited at MoMA received a dozen awards\, including Woman-Designed NYC. Her work has been exhibited at Prague Castle\, the Ludwig Museum\, the Rufino Tamayo Museum in Mexico\, and the Alexandria Library in Egypt\, and represented in biennials and triennials across Europe\, Asia\, Africa\, and the Middle East. From 2026 to 2028\, her work will be featured in exhibitions at Mudam (Museum of Contemporary Art Luxembourg)\, Lenbachhaus Munich\, and the Guggenheim Museum Bilbao. \n\nPhoto courtesy of Nobuho Nagasawa
URL:https://lmcc.net/events/hybrid-animal-encyclopedia-workshop-with-nobuho-nagasawa/2026-08-01/
LOCATION:LMCC’s Arts Center at Governors Island\, Building 110\, Governors Island\, New York\, NY\, United States
ATTACH;FMTTYPE=image/jpeg:https://lmcc.net/wp-content/uploads/2026/05/Climate-Art-Workshops-Eventbrite-02.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260808T190000
DTEND;TZID=America/New_York:20260808T210000
DTSTAMP:20260724T134930Z
CREATED:20260702T170453Z
LAST-MODIFIED:20260724T134930Z
UID:10000206-1786215600-1786222800@lmcc.net
SUMMARY:esperanza spalding
DESCRIPTION:esperanza spalding in collaboration with dancer\, theater and filmmaker Kayla Farrish\, presents an evening of new dance and music – crafted live and in real time.   \nGrowing from spalding’s years of study and experimentation around how to re-merge “jazz” music & dance\, and Farrish’s multi-disciplinary work of transforming feeling\, story\, and humanity through dance\, this is a unique first public sharing of their creative collaboration. \nThe ensemble of three musicians and three dancers has been in workshop throughout 2026\, developing shared grammar and vocabulary to musically and movementally compose a story\, engage in improvisational dialogue\, and translate the vibrant energies\, sensations\, and ideas coursing between\, within\, and around them. Alchemizing and manifesting what could be\, through and with one another… \nPerforming with spalding and Farrish\, the ensemble will include:\nJamal Abrams\, dance\nKar’mel Antonio Wade Small\, dance\nJustin Tyson\, drums & keyboards\nDayna Stevens\, saxophone & electronics\nTaiya Cheng\, sound engineer \nFree | August 8\, 7pm | Robert F. Wagner Jr. Park | Let us know you’re attending! RSVP here. \nPresented by Lower Manhattan Cultural Council in partnership with Battery Park City Authority as part of the 2026 River To River Festival. \nPLEASE NOTE: No assigned seating\, first come\, first served in the amphitheater seating. Lawn chairs and blankets are permitted on the Wagner lawn. Patrons may be asked to make room to allow for more guests. Food and beverage will be available for purchase\, picnics are allowed. \n\n \nesperanza spalding is an eaabibacliitoti* artist\, trained and  initiated in the North American jazz lineage and tradition. Her  work interweaves various combinations of instrumental music\,  improvisation\, singing\, composition\, poetry\, dance\, therapeutic  research\, storytelling\, teaching\, restorative urban land & artist sanctuary custodianship\, and growing in love as a daughter\,  sister\, cousin\, niece\, auntie\, great-auntie\, friend.  \nShe founded and serves as co-director of Prismid Sanctuary\, a  non-profit that creates and stewards restorative artist residency &  workshop space in Portland\, Oregon (Prismid.org).  \n  With her dance project “Off Brand gOdds” and the Songwrights  Apothecary Lab she leads multi-week performances\, workshops\,  teaching\, and therapeutic-arts research residencies. She is a  2024 recipient of the Doris Duke Foundation Artist Award and a  2016 Ford Foundation “Art of Change” Fellow.  \n  \n \nKayla Farrish is a Black American Director merging dance-theater\, filmmaking\, narrative\, and sound score. Her commissions include Limon Dance Company\, Whim W’him\, Ririe Woodbury\, Armstrong Now!\, Danspace\, Little Island\, Harlem Stage\, American Dance Festival and beyond. She creates live works\, films\, site-specific/immersive pieces\, and collaborations with musicians such as esperanza spalding\, Trixie Whitley\, Moor Mother\, and Melanie Charles. Presenting spaces include Lincoln Center\, Park Avenue Armory\, Symphony Space\, and National Sawdust\, Joyce Theater\, among receiving support from Works & Process\, Brooklyn Filmmakers Collective\, Baryshnikov Arts\, La Mama Theater\, and others. \nShe received the Sundance Uprise Grant for Emerging BIPOC Directors\, Bessie Awards for December 8th and NYLA’s “Motherboard Suite”\, New York Times Top 2021 Dance Performances “Roster” and “Breakout Star.” She is a recipient of the Harkness Promise Award for 2022. She premiered reimagined archival work for Limon at Joyce Theater (2024). She toured “Put Away the Fire\, dear” supported by NEFA National Dance Project. She received Watermill Center’s Baroness Nina Von Maltzahn Fellowship and the Ellis-Beauregard Foundation Choreographer Award (2023).  She is a 2025 CUNY Dance Initiative Artist\, NYFA/NYSCA Choreography Fellow\, 2026 NY Support for Artists Grantee\, and Danse Mirage Foundation Choreography commissioned artist. \n  \n*European-African ancestored being influenced by American cultures living in Indigenous Territories of Turtle Island \n\nFunding for esperanza spalding: In Concert is provided by Battery Park City Authority.   \nFunding for the River To River Festival is provided by The NYC Department of Cultural Affairs\, Howard Gilman Foundation\, Lily Auchincloss Foundation\, and The Robert Lehman Foundation.  River To River is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.  \n \n\nPhotos by Rob Lewis.
URL:https://lmcc.net/events/esperanza-spalding/
LOCATION:Robert F. Wagner Jr. Park\, 20 Battery Place\, New York\, NY\, 10280\, United States
ATTACH;FMTTYPE=image/jpeg:https://lmcc.net/wp-content/uploads/2026/07/ESPERANZA-announcement.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260815T130000
DTEND;TZID=America/New_York:20260815T150000
DTSTAMP:20260722T160719Z
CREATED:20260521T154206Z
LAST-MODIFIED:20260722T160719Z
UID:10000201-1786798800-1786806000@lmcc.net
SUMMARY:Hybrid Animal Encyclopedia
DESCRIPTION:Step into a space of imagination and invention\, where new hybrid creatures begin to appear! \nUsing images from books and their own drawings\, participants will create collages that merge dinosaurs with present-day animals. \nAs these creatures take shape\, participants enter a world of storytelling and transformation. Together\, these creatures form a speculative bestiary—an imagined collection of living beings that might exist in possible worlds. Each creation becomes a page in this shifting Hybrid Animal Encyclopedia\, a meeting point of memory and invention\, nature and imagination\, past and future. Participants and families take their collages and drawings home\, each holding a personal fragment of this imagined world. \nReservations to help us track interest and capacity are not required but are ENCOURAGED!  \nThe workshop will be ongoing from 1-3pm\, participants are welcome to stop by and stay for as long as they wish. \n\nBased in New York since 2001\, Nobuho Nagasawa is a transnational\, transdisciplinary artist trained in Berlin and invited to the United States by the California Institute of the Arts in 1986. She creates immersive\, site-responsive environments shaped by time\, process\, and collective engagement. Approaching each site like an archaeologist\, she uncovers hidden histories\, ecological and psychological traces within the landscape. Her practice explores how perception\, memory\, and embodied experience shape our sense of place. Nagasawa has received major grants and awards\, including DAAD (German Academic Exchange Service)\, the Rockefeller Foundation\, the California Arts Council\, multiple Japan Foundation grants\, and the SUNY Chancellor’s Award for Excellence in Scholarship and Creative Activities. Among more than forty completed public art commissions\, she has earned three Design Excellence Awards. A recent project exhibited at MoMA received a dozen awards\, including Woman-Designed NYC. Her work has been exhibited at Prague Castle\, the Ludwig Museum\, the Rufino Tamayo Museum in Mexico\, and the Alexandria Library in Egypt\, and represented in biennials and triennials across Europe\, Asia\, Africa\, and the Middle East. From 2026 to 2028\, her work will be featured in exhibitions at Mudam (Museum of Contemporary Art Luxembourg)\, Lenbachhaus Munich\, and the Guggenheim Museum Bilbao. \n\nPhoto courtesy of Nobuho Nagasawa
URL:https://lmcc.net/events/hybrid-animal-encyclopedia-workshop-with-nobuho-nagasawa/2026-08-15/
LOCATION:LMCC’s Arts Center at Governors Island\, Building 110\, Governors Island\, New York\, NY\, United States
ATTACH;FMTTYPE=image/jpeg:https://lmcc.net/wp-content/uploads/2026/05/Climate-Art-Workshops-Eventbrite-02.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260829T130000
DTEND;TZID=America/New_York:20260829T150000
DTSTAMP:20260722T163319Z
CREATED:20260521T153036Z
LAST-MODIFIED:20260722T163319Z
UID:10000210-1788008400-1788015600@lmcc.net
SUMMARY:Recycled Runway
DESCRIPTION:Create a colorful\, one-of-kind wearable accessory from recycled plastic that celebrates your individual NYC style! Arts Center Resident Artist Sari Nordman addresses eco-anxiety through environmental art projects that foster social engagement and utilize recycled plastic. Drawing on 15 years of experience as a teaching artist in NYC public schools\, Sari finds joy in sharing their practice and collaborating with diverse communities.  \nAll materials will be provided\, though participants are encouraged to bring clean\, colorful recycled plastics such as shopping bags\, newspaper sleeves\, and toilet paper or paper towel packaging. Stay for the entire event or drop in for a few minutes. \nThe workshop will be ongoing from 1-3pm\, and visitors are welcome to participate for as long as they would like. \nReservations to help us track interest and capacity are not required but are ENCOURAGED!  \n  \n\nSari Nordman is an interdisciplinary artist. She creates public art projects\, fiber-art installations and mixed media works. Many of her projects have been informed by climate change and respond to environmental justice issues. \nNordman’s works have been exhibited at Jamaica Center for Arts and Learning (Jamaica Flux)\, South Street Seaport (Art at The Edge) and Thomas Cole National Historic Site (Upstate Art Weekend). Her works have received grants from Foundation for Contemporary Arts\, Frame Contemporary Art Finland and New York State Council on the Arts (NYSCA). She is a participant in Lower Manhattan Cultural Council’s (LMCC) 2026 Arts Center Residency Program. She has served on environmental artist panels discussing her works and the social engagement in her process at the Hirshhorn Museum\, COAL + ICE at The Kennedy Center and Climate Art Panel at South Street Seaport. \nNordman develops a podcast Tower: Bridging Voices on Climate Change. She holds a M.F.A. from NYU/Tisch School of the Arts. \nsarinordman.com  \n\nPhoto by Sari Nordman
URL:https://lmcc.net/events/recycled-runway-art-workshop-with-sari-nordman/
LOCATION:LMCC’s Arts Center at Governors Island\, Building 110\, Governors Island\, New York\, NY\, United States
ATTACH;FMTTYPE=image/jpeg:https://lmcc.net/wp-content/uploads/2026/05/Climate-Art-Workshops-Eventbrite-01.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260910
DTEND;VALUE=DATE:20260914
DTSTAMP:20260730T014424Z
CREATED:20260730T014021Z
LAST-MODIFIED:20260730T014424Z
UID:10000221-1788998400-1789343999@lmcc.net
SUMMARY:TEST TEST Curriculum IV: Spin and Spin! Turn! Turn! Turn!
DESCRIPTION:Join us for the world premiere of a new work from visionary artist Bill T. Jones [and Samora Pinderhughes]. \nCurriculum IV: Spin and Spin! Turn! Turn! Turn! responds to a performance commissioned by LMCC (Lower Manhattan Cultural Council) and originally scheduled to premiere on September 12\, 2001 on the plaza of the Twin Towers. The work commemorates the 25th anniversary of that suspended moment—and all that has unfolded since. \nBill T. Jones and collaborator composer Samora Pinderhughes forge an intergenerational bridge where both artists search within themselves and their respective creative interests to meditate on loss\, and their distinct responses to the 25-year aftermath of 9/11 and other cataclysms spiralling into our era of loss of freedom\, speech\, movement\, and justice. \nFeaturing dancers from Bill T. Jones/Arnie Zane Company and live musicians\, Spin and Spin! Turn! Turn! Turn! brings dance back to Lower Manhattan\, shaped by resilience and the passage of time. \nBill T. Jones’s Curriculum series originated in reference to a quote from Cameroonian historian and political theorist Achille Mbembe in a 2018 interview\, in which he proposed an archive-expanding “planetary curriculum.” Taking inspiration from this idea\, Jones has created three previous Curriculum works colliding formal exploration with urgent contemporary questions. The multi-work pursuit takes a protean approach to asking\, as Jones describes\, “What does a contemporary progressive person have to know to live and work efficiently and morally in the world today?” \nFree | August 10\, 12\, 13\, 7:30pm | Robert F. Wagner Jr. Park | Let us know you’re attending! RSVP here. \nCommissioned by Lower Manhattan Cultural Council and presented in partnership with New York Live Arts and Battery Park City Authority as part of the 2026 River To River Festival. \nPLEASE NOTE: No assigned seating\, first come\, first served in the amphitheater seating. Lawn chairs and blankets are permitted on the Wagner lawn. Patrons may be asked to make room to allow for more guests. Food and beverage will be available for purchase\, picnics are allowed. \n\nBill T. Jones (Artistic Director/Co-Founder/Choreographer: Bill T. Jones/Arnie Zane Company; Artistic Director: New York Live Arts)  is a multi-talented artist\, choreographer\, dancer\, theater director and writer. He was the Associate Artist of the 2020 Holland Festival and recipient of the 2014 Doris Duke Performing Artist Award; the 2013 National Medal of Arts; the 2010 Kennedy Center Honors; a 2010 Tony Award for Best Choreography of the critically acclaimed Fela!; a 2007 Tony Award\, 2007 Obie Award\, and 2006 Stage Directors and Choreographers Foundation Callaway Award for his choreography for Spring Awakening; the 2010 Jacob’s Pillow Dance Award; 2007 USA Eileen Harris Norton Fellowship; 2006 Lucille Lortel Award for Outstanding Choreography for The Seven; 2005 Wexner Prize; the 2005 Samuel H. Scripps American Dance Festival Award for Lifetime Achievement; 2005 Harlem Renaissance Award; 2003 Dorothy and Lillian Gish Prize; and a 1994 MacArthur “Genius” Award. In 2010\, Jones was recognized as Officier de l’Ordre des Arts et des Lettres by the French government\, and in 2000\, The Dance Heritage Coalition named Jones “An Irreplaceable Dance Treasure.” Jones was nominated for the 2022 Tony Awards for his work on Paradise Square. Jones choreographed and performed worldwide with his late partner\, Arnie Zane\, before forming the Bill T. Jones/Arnie Zane Company in 1982. He has created more than 140 works for his company. Jones is Artistic Director of New York Live Arts\, an internationally recognized destination for performance\, artist services\, and live gathering. \nSamora Pinderhughes is a multidisciplinary artist\, composer\, pianist/vocalist and filmmaker known for striking vulnerability and carefully crafted\, radically honest art. He is also known for using his art to examine sociopolitical issues and fight for change.  \nPinderhughes is the first-ever Art for Justice + Soros Justice Fellow and a recipient of Chamber Music America’s 2020 Visionary Award. He has also been designated as a Creative Capital awardee\, a United States Artists Fellow\, and a Sundance Composers Lab fellow. He was the 2025 MoMA Adobe Creative Resident and was awarded the “Spark of Change” Award from APAP in 2026.  \nOver the past 44 years\, the Bill T. Jones/Arnie Zane Company has shaped the evolution of contemporary dance through the creation and performance of over 140 works. Founded as a multicultural dance company in 1982\, the company was born of an 11-year artistic collaboration between Bill T. Jones and Arnie Zane. Today\, the company is recognized as one of the most innovative and powerful forces in the modern dance world. The company has performed its ever-enlarging repertoire worldwide in over 200 cities in 30 countries on every major continent. In 2011\, the Bill T. Jones/Arnie Zane Company merged with Dance Theater Workshop to form New York Live Arts of which Bill T. Jones is the Artistic Director.\n \n\nThe creation of new work by Bill T. Jones/Arnie Zane Company is made possible in part by the company’s Partners in Creation: Anne Delaney\, Zoe Eskin\, Eleanor Friedman\, Ruth & Stephen Hendel\, Suzanne Karpas\, Ellen M. Poss\, Jane Bovingdon Semel\, Rachel Shapiro in memory of Linda G. Shapiro\, and Slobodan Randjelović & Jon Stryker. \nFunding for the River To River Festival is provided by The NYC Department of Cultural Affairs\, Howard Gilman Foundation\, Lily Auchincloss Foundation\, and The Robert Lehman Foundation. River To River is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. Additional funding for the Bill T. Jones project is provided by Battery Park City Authority\, The National Endowment for the Arts\, and Harkness Foundation for Dance.
URL:https://lmcc.net/events/test-curriculum-iv-spin-and-spin-turn-turn-turn/2026-09-10/4/
LOCATION:Robert F. Wagner Jr. Park\, 20 Battery Place\, New York\, NY\, 10280\, United States
ATTACH;FMTTYPE=image/png:https://lmcc.net/wp-content/uploads/2026/07/bill-T_1-1-scaled.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260910T190000
DTEND;TZID=America/New_York:20260910T210000
DTSTAMP:20260729T205018Z
CREATED:20260729T193811Z
LAST-MODIFIED:20260729T205018Z
UID:10000215-1789066800-1789074000@lmcc.net
SUMMARY:Curriculum IV: Spin and Spin! Turn! Turn! Turn!
DESCRIPTION:Join us for the world premiere of a new work by visionary artist Bill T. Jones.  \nThis piece responds to a collaboration between the company and Lower Manhattan Cultural Council that was originally scheduled to premiere on September 12\, 2001\, on a stage set between the Twin Towers.  \nCommemorating the 25th anniversary of that suspended moment—and all that has unfolded since—this premiere brings dance back to Lower Manhattan\, shaped by resilience and the passage of time. \nBill T. Jones’s Curriculum series originated in reference to a quote from Cameroonian historian and political theorist Achille Mbembe in a 2018 interview\, in which he proposed an archive-expanding “planetary curriculum.” Taking inspiration from this idea\, Jones has now created three (and with this\, his fourth) Curriculum works colliding formal exploration with urgent contemporary questions. The multi-work pursuit takes a protean approach to asking\, as Jones describes\, “What does a contemporary progressive person have to know to live and work efficiently and morally in the world today?”  \nJones\, in collaboration with composer Samora Pinderhughes\, forges an intergenerational bridge as both artists search within themselves and their respective creative interests to meditate on loss\, and their distinct responses to the 25-year aftermath of 9/11 and other cataclysms spiralling into our era of loss of freedom\, speech\, movement\, and justice. Together\, the two built a playlist\, at the heart of which is the ancient teaching embedded in Nina Simone’s warmly gutting rendition of “Turn! Turn! Turn! (To Everything There Is a Season)\,” Pete Seeger’s twist on the Book of Ecclesiastes. The work’s setting in public space likewise opens it into a reflection not only of two artists’ considerations of our past and present\, but that of everyone there looking out from the park “at the aspirational symbol of America\,” as Jones describes—the Statue of Liberty. \nFree | August 10\, 12\, 13\, 7:30pm | Robert F. Wagner Jr. Park | Let us know you’re attending! RSVP here. \nCommissioned by Lower Manhattan Cultural Council and presented in partnership with New York Live Arts and Battery Park City Authority as part of the 2026 River To River Festival. \nPLEASE NOTE: No assigned seating\, first come\, first served in the amphitheater seating. Lawn chairs and blankets are permitted on the Wagner lawn. Patrons may be asked to make room to allow for more guests. Food and beverage will be available for purchase\, picnics are allowed. \n\nBill T. Jones (Artistic Director/Co-Founder/Choreographer: Bill T. Jones/Arnie Zane Company; Artistic Director: New York Live Arts)  is a multi-talented artist\, choreographer\, dancer\, theater director and writer. He was the Associate Artist of the 2020 Holland Festival and recipient of the 2014 Doris Duke Performing Artist Award; the 2013 National Medal of Arts; the 2010 Kennedy Center Honors; a 2010 Tony Award for Best Choreography of the critically acclaimed Fela!; a 2007 Tony Award\, 2007 Obie Award\, and 2006 Stage Directors and Choreographers Foundation Callaway Award for his choreography for Spring Awakening; the 2010 Jacob’s Pillow Dance Award; 2007 USA Eileen Harris Norton Fellowship; 2006 Lucille Lortel Award for Outstanding Choreography for The Seven; 2005 Wexner Prize; the 2005 Samuel H. Scripps American Dance Festival Award for Lifetime Achievement; 2005 Harlem Renaissance Award; 2003 Dorothy and Lillian Gish Prize; and a 1994 MacArthur “Genius” Award. In 2010\, Jones was recognized as Officier de l’Ordre des Arts et des Lettres by the French government\, and in 2000\, The Dance Heritage Coalition named Jones “An Irreplaceable Dance Treasure.” Jones was nominated for the 2022 Tony Awards for his work on Paradise Square. Jones choreographed and performed worldwide with his late partner\, Arnie Zane\, before forming the Bill T. Jones/Arnie Zane Company in 1982. He has created more than 140 works for his company. Jones is Artistic Director of New York Live Arts\, an internationally recognized destination for performance\, artist services\, and live gathering. \nSamora Pinderhughes is a multidisciplinary artist\, composer\, pianist/vocalist and filmmaker known for striking vulnerability and carefully crafted\, radically honest art. He is also known for using his art to examine sociopolitical issues and fight for change.  \nPinderhughes is the first-ever Art for Justice + Soros Justice Fellow and a recipient of Chamber Music America’s 2020 Visionary Award. He has also been designated as a Creative Capital awardee\, a United States Artists Fellow\, and a Sundance Composers Lab fellow. He was the 2025 MoMA Adobe Creative Resident and was awarded the “Spark of Change” Award from APAP in 2026.  \nOver the past 44 years\, the Bill T. Jones/Arnie Zane Company has shaped the evolution of contemporary dance through the creation and performance of over 140 works. Founded as a multicultural dance company in 1982\, the company was born of an 11-year artistic collaboration between Bill T. Jones and Arnie Zane. Today\, the company is recognized as one of the most innovative and powerful forces in the modern dance world. The company has performed its ever-enlarging repertoire worldwide in over 200 cities in 30 countries on every major continent. In 2011\, the Bill T. Jones/Arnie Zane Company merged with Dance Theater Workshop to form New York Live Arts of which Bill T. Jones is the Artistic Director.\n \n\nThe creation of new work by Bill T. Jones/Arnie Zane Company is made possible in part by the company’s Partners in Creation: Anne Delaney\, Zoe Eskin\, Eleanor Friedman\, Ruth & Stephen Hendel\, Suzanne Karpas\, Ellen M. Poss\, Jane Bovingdon Semel\, Rachel Shapiro in memory of Linda G. Shapiro\, and Slobodan Randjelović & Jon Stryker. \nFunding for the River To River Festival is provided by The NYC Department of Cultural Affairs\, Howard Gilman Foundation\, Lily Auchincloss Foundation\, and The Robert Lehman Foundation. River To River is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. Additional funding for the Bill T. Jones project is provided by Battery Park City Authority\, The National Endowment for the Arts\, and Harkness Foundation for Dance.
URL:https://lmcc.net/events/curriculum-iv-spin-and-spin-turn-turn-turn/
LOCATION:Robert F. Wagner Jr. Park\, 20 Battery Place\, New York\, NY\, 10280\, United States
ATTACH;FMTTYPE=image/png:https://lmcc.net/wp-content/uploads/2026/07/bill-T_1-1-scaled.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260910T193000
DTEND;TZID=America/New_York:20260910T213627
DTSTAMP:20260730T013626Z
CREATED:20260730T012640Z
LAST-MODIFIED:20260730T013626Z
UID:10000217-1789068600-1789076187@lmcc.net
SUMMARY:Curriculum IV: Spin and Spin! Turn! Turn! Turn!
DESCRIPTION:Join us for the world premiere of a new work by visionary artist Bill T. Jones.  \nThis piece responds to a collaboration between the company and Lower Manhattan Cultural Council that was originally scheduled to premiere on September 12\, 2001\, on a stage set between the Twin Towers.  \nCommemorating the 25th anniversary of that suspended moment—and all that has unfolded since—this premiere brings dance back to Lower Manhattan\, shaped by resilience and the passage of time. \nBill T. Jones’s Curriculum series originated in reference to a quote from Cameroonian historian and political theorist Achille Mbembe in a 2018 interview\, in which he proposed an archive-expanding “planetary curriculum.” Taking inspiration from this idea\, Jones has now created three (and with this\, his fourth) Curriculum works colliding formal exploration with urgent contemporary questions. The multi-work pursuit takes a protean approach to asking\, as Jones describes\, “What does a contemporary progressive person have to know to live and work efficiently and morally in the world today?”  \nJones\, in collaboration with composer Samora Pinderhughes\, forges an intergenerational bridge as both artists search within themselves and their respective creative interests to meditate on loss\, and their distinct responses to the 25-year aftermath of 9/11 and other cataclysms spiralling into our era of loss of freedom\, speech\, movement\, and justice. Together\, the two built a playlist\, at the heart of which is the ancient teaching embedded in Nina Simone’s warmly gutting rendition of “Turn! Turn! Turn! (To Everything There Is a Season)\,” Pete Seeger’s twist on the Book of Ecclesiastes. The work’s setting in public space likewise opens it into a reflection not only of two artists’ considerations of our past and present\, but that of everyone there looking out from the park “at the aspirational symbol of America\,” as Jones describes—the Statue of Liberty. \nFree | August 10\, 12\, 13\, 7:30pm | Robert F. Wagner Jr. Park | Let us know you’re attending! RSVP here. \nCommissioned by Lower Manhattan Cultural Council and presented in partnership with New York Live Arts and Battery Park City Authority as part of the 2026 River To River Festival. \nPLEASE NOTE: No assigned seating\, first come\, first served in the amphitheater seating. Lawn chairs and blankets are permitted on the Wagner lawn. Patrons may be asked to make room to allow for more guests. Food and beverage will be available for purchase\, picnics are allowed. \n\nBill T. Jones (Artistic Director/Co-Founder/Choreographer: Bill T. Jones/Arnie Zane Company; Artistic Director: New York Live Arts)  is a multi-talented artist\, choreographer\, dancer\, theater director and writer. He was the Associate Artist of the 2020 Holland Festival and recipient of the 2014 Doris Duke Performing Artist Award; the 2013 National Medal of Arts; the 2010 Kennedy Center Honors; a 2010 Tony Award for Best Choreography of the critically acclaimed Fela!; a 2007 Tony Award\, 2007 Obie Award\, and 2006 Stage Directors and Choreographers Foundation Callaway Award for his choreography for Spring Awakening; the 2010 Jacob’s Pillow Dance Award; 2007 USA Eileen Harris Norton Fellowship; 2006 Lucille Lortel Award for Outstanding Choreography for The Seven; 2005 Wexner Prize; the 2005 Samuel H. Scripps American Dance Festival Award for Lifetime Achievement; 2005 Harlem Renaissance Award; 2003 Dorothy and Lillian Gish Prize; and a 1994 MacArthur “Genius” Award. In 2010\, Jones was recognized as Officier de l’Ordre des Arts et des Lettres by the French government\, and in 2000\, The Dance Heritage Coalition named Jones “An Irreplaceable Dance Treasure.” Jones was nominated for the 2022 Tony Awards for his work on Paradise Square. Jones choreographed and performed worldwide with his late partner\, Arnie Zane\, before forming the Bill T. Jones/Arnie Zane Company in 1982. He has created more than 140 works for his company. Jones is Artistic Director of New York Live Arts\, an internationally recognized destination for performance\, artist services\, and live gathering. \nSamora Pinderhughes is a multidisciplinary artist\, composer\, pianist/vocalist and filmmaker known for striking vulnerability and carefully crafted\, radically honest art. He is also known for using his art to examine sociopolitical issues and fight for change.  \nPinderhughes is the first-ever Art for Justice + Soros Justice Fellow and a recipient of Chamber Music America’s 2020 Visionary Award. He has also been designated as a Creative Capital awardee\, a United States Artists Fellow\, and a Sundance Composers Lab fellow. He was the 2025 MoMA Adobe Creative Resident and was awarded the “Spark of Change” Award from APAP in 2026.  \nOver the past 44 years\, the Bill T. Jones/Arnie Zane Company has shaped the evolution of contemporary dance through the creation and performance of over 140 works. Founded as a multicultural dance company in 1982\, the company was born of an 11-year artistic collaboration between Bill T. Jones and Arnie Zane. Today\, the company is recognized as one of the most innovative and powerful forces in the modern dance world. The company has performed its ever-enlarging repertoire worldwide in over 200 cities in 30 countries on every major continent. In 2011\, the Bill T. Jones/Arnie Zane Company merged with Dance Theater Workshop to form New York Live Arts of which Bill T. Jones is the Artistic Director.\n \n\nThe creation of new work by Bill T. Jones/Arnie Zane Company is made possible in part by the company’s Partners in Creation: Anne Delaney\, Zoe Eskin\, Eleanor Friedman\, Ruth & Stephen Hendel\, Suzanne Karpas\, Ellen M. Poss\, Jane Bovingdon Semel\, Rachel Shapiro in memory of Linda G. Shapiro\, and Slobodan Randjelović & Jon Stryker. \nFunding for the River To River Festival is provided by The NYC Department of Cultural Affairs\, Howard Gilman Foundation\, Lily Auchincloss Foundation\, and The Robert Lehman Foundation. River To River is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. Additional funding for the Bill T. Jones project is provided by Battery Park City Authority\, The National Endowment for the Arts\, and Harkness Foundation for Dance.
URL:https://lmcc.net/events/curriculum-iv-spin-and-spin-turn-turn-turn-2/2026-09-10/
LOCATION:Robert F. Wagner Jr. Park\, 20 Battery Place\, New York\, NY\, 10280\, United States
ATTACH;FMTTYPE=image/png:https://lmcc.net/wp-content/uploads/2026/07/bill-T_1-1-scaled.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260910
DTEND;VALUE=DATE:20260911
DTSTAMP:20260730T014424Z
CREATED:20260730T014021Z
LAST-MODIFIED:20260730T014424Z
UID:10000225-1789068600-1789076664@lmcc.net
SUMMARY:TEST TEST Curriculum IV: Spin and Spin! Turn! Turn! Turn!
DESCRIPTION:Join us for the world premiere of a new work from visionary artist Bill T. Jones [and Samora Pinderhughes]. \nCurriculum IV: Spin and Spin! Turn! Turn! Turn! responds to a performance commissioned by LMCC (Lower Manhattan Cultural Council) and originally scheduled to premiere on September 12\, 2001 on the plaza of the Twin Towers. The work commemorates the 25th anniversary of that suspended moment—and all that has unfolded since. \nBill T. Jones and collaborator composer Samora Pinderhughes forge an intergenerational bridge where both artists search within themselves and their respective creative interests to meditate on loss\, and their distinct responses to the 25-year aftermath of 9/11 and other cataclysms spiralling into our era of loss of freedom\, speech\, movement\, and justice. \nFeaturing dancers from Bill T. Jones/Arnie Zane Company and live musicians\, Spin and Spin! Turn! Turn! Turn! brings dance back to Lower Manhattan\, shaped by resilience and the passage of time. \nBill T. Jones’s Curriculum series originated in reference to a quote from Cameroonian historian and political theorist Achille Mbembe in a 2018 interview\, in which he proposed an archive-expanding “planetary curriculum.” Taking inspiration from this idea\, Jones has created three previous Curriculum works colliding formal exploration with urgent contemporary questions. The multi-work pursuit takes a protean approach to asking\, as Jones describes\, “What does a contemporary progressive person have to know to live and work efficiently and morally in the world today?” \nFree | August 10\, 12\, 13\, 7:30pm | Robert F. Wagner Jr. Park | Let us know you’re attending! RSVP here. \nCommissioned by Lower Manhattan Cultural Council and presented in partnership with New York Live Arts and Battery Park City Authority as part of the 2026 River To River Festival. \nPLEASE NOTE: No assigned seating\, first come\, first served in the amphitheater seating. Lawn chairs and blankets are permitted on the Wagner lawn. Patrons may be asked to make room to allow for more guests. Food and beverage will be available for purchase\, picnics are allowed. \n\nBill T. Jones (Artistic Director/Co-Founder/Choreographer: Bill T. Jones/Arnie Zane Company; Artistic Director: New York Live Arts)  is a multi-talented artist\, choreographer\, dancer\, theater director and writer. He was the Associate Artist of the 2020 Holland Festival and recipient of the 2014 Doris Duke Performing Artist Award; the 2013 National Medal of Arts; the 2010 Kennedy Center Honors; a 2010 Tony Award for Best Choreography of the critically acclaimed Fela!; a 2007 Tony Award\, 2007 Obie Award\, and 2006 Stage Directors and Choreographers Foundation Callaway Award for his choreography for Spring Awakening; the 2010 Jacob’s Pillow Dance Award; 2007 USA Eileen Harris Norton Fellowship; 2006 Lucille Lortel Award for Outstanding Choreography for The Seven; 2005 Wexner Prize; the 2005 Samuel H. Scripps American Dance Festival Award for Lifetime Achievement; 2005 Harlem Renaissance Award; 2003 Dorothy and Lillian Gish Prize; and a 1994 MacArthur “Genius” Award. In 2010\, Jones was recognized as Officier de l’Ordre des Arts et des Lettres by the French government\, and in 2000\, The Dance Heritage Coalition named Jones “An Irreplaceable Dance Treasure.” Jones was nominated for the 2022 Tony Awards for his work on Paradise Square. Jones choreographed and performed worldwide with his late partner\, Arnie Zane\, before forming the Bill T. Jones/Arnie Zane Company in 1982. He has created more than 140 works for his company. Jones is Artistic Director of New York Live Arts\, an internationally recognized destination for performance\, artist services\, and live gathering. \nSamora Pinderhughes is a multidisciplinary artist\, composer\, pianist/vocalist and filmmaker known for striking vulnerability and carefully crafted\, radically honest art. He is also known for using his art to examine sociopolitical issues and fight for change.  \nPinderhughes is the first-ever Art for Justice + Soros Justice Fellow and a recipient of Chamber Music America’s 2020 Visionary Award. He has also been designated as a Creative Capital awardee\, a United States Artists Fellow\, and a Sundance Composers Lab fellow. He was the 2025 MoMA Adobe Creative Resident and was awarded the “Spark of Change” Award from APAP in 2026.  \nOver the past 44 years\, the Bill T. Jones/Arnie Zane Company has shaped the evolution of contemporary dance through the creation and performance of over 140 works. Founded as a multicultural dance company in 1982\, the company was born of an 11-year artistic collaboration between Bill T. Jones and Arnie Zane. Today\, the company is recognized as one of the most innovative and powerful forces in the modern dance world. The company has performed its ever-enlarging repertoire worldwide in over 200 cities in 30 countries on every major continent. In 2011\, the Bill T. Jones/Arnie Zane Company merged with Dance Theater Workshop to form New York Live Arts of which Bill T. Jones is the Artistic Director.\n \n\nThe creation of new work by Bill T. Jones/Arnie Zane Company is made possible in part by the company’s Partners in Creation: Anne Delaney\, Zoe Eskin\, Eleanor Friedman\, Ruth & Stephen Hendel\, Suzanne Karpas\, Ellen M. Poss\, Jane Bovingdon Semel\, Rachel Shapiro in memory of Linda G. Shapiro\, and Slobodan Randjelović & Jon Stryker. \nFunding for the River To River Festival is provided by The NYC Department of Cultural Affairs\, Howard Gilman Foundation\, Lily Auchincloss Foundation\, and The Robert Lehman Foundation. River To River is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. Additional funding for the Bill T. Jones project is provided by Battery Park City Authority\, The National Endowment for the Arts\, and Harkness Foundation for Dance.
URL:https://lmcc.net/events/test-curriculum-iv-spin-and-spin-turn-turn-turn/2026-09-10/5/
LOCATION:Robert F. Wagner Jr. Park\, 20 Battery Place\, New York\, NY\, 10280\, United States
ATTACH;FMTTYPE=image/png:https://lmcc.net/wp-content/uploads/2026/07/bill-T_1-1-scaled.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260912T193000
DTEND;TZID=America/New_York:20260912T213627
DTSTAMP:20260730T013626Z
CREATED:20260730T012640Z
LAST-MODIFIED:20260730T013626Z
UID:10000218-1789241400-1789248987@lmcc.net
SUMMARY:Curriculum IV: Spin and Spin! Turn! Turn! Turn!
DESCRIPTION:Join us for the world premiere of a new work by visionary artist Bill T. Jones.  \nThis piece responds to a collaboration between the company and Lower Manhattan Cultural Council that was originally scheduled to premiere on September 12\, 2001\, on a stage set between the Twin Towers.  \nCommemorating the 25th anniversary of that suspended moment—and all that has unfolded since—this premiere brings dance back to Lower Manhattan\, shaped by resilience and the passage of time. \nBill T. Jones’s Curriculum series originated in reference to a quote from Cameroonian historian and political theorist Achille Mbembe in a 2018 interview\, in which he proposed an archive-expanding “planetary curriculum.” Taking inspiration from this idea\, Jones has now created three (and with this\, his fourth) Curriculum works colliding formal exploration with urgent contemporary questions. The multi-work pursuit takes a protean approach to asking\, as Jones describes\, “What does a contemporary progressive person have to know to live and work efficiently and morally in the world today?”  \nJones\, in collaboration with composer Samora Pinderhughes\, forges an intergenerational bridge as both artists search within themselves and their respective creative interests to meditate on loss\, and their distinct responses to the 25-year aftermath of 9/11 and other cataclysms spiralling into our era of loss of freedom\, speech\, movement\, and justice. Together\, the two built a playlist\, at the heart of which is the ancient teaching embedded in Nina Simone’s warmly gutting rendition of “Turn! Turn! Turn! (To Everything There Is a Season)\,” Pete Seeger’s twist on the Book of Ecclesiastes. The work’s setting in public space likewise opens it into a reflection not only of two artists’ considerations of our past and present\, but that of everyone there looking out from the park “at the aspirational symbol of America\,” as Jones describes—the Statue of Liberty. \nFree | August 10\, 12\, 13\, 7:30pm | Robert F. Wagner Jr. Park | Let us know you’re attending! RSVP here. \nCommissioned by Lower Manhattan Cultural Council and presented in partnership with New York Live Arts and Battery Park City Authority as part of the 2026 River To River Festival. \nPLEASE NOTE: No assigned seating\, first come\, first served in the amphitheater seating. Lawn chairs and blankets are permitted on the Wagner lawn. Patrons may be asked to make room to allow for more guests. Food and beverage will be available for purchase\, picnics are allowed. \n\nBill T. Jones (Artistic Director/Co-Founder/Choreographer: Bill T. Jones/Arnie Zane Company; Artistic Director: New York Live Arts)  is a multi-talented artist\, choreographer\, dancer\, theater director and writer. He was the Associate Artist of the 2020 Holland Festival and recipient of the 2014 Doris Duke Performing Artist Award; the 2013 National Medal of Arts; the 2010 Kennedy Center Honors; a 2010 Tony Award for Best Choreography of the critically acclaimed Fela!; a 2007 Tony Award\, 2007 Obie Award\, and 2006 Stage Directors and Choreographers Foundation Callaway Award for his choreography for Spring Awakening; the 2010 Jacob’s Pillow Dance Award; 2007 USA Eileen Harris Norton Fellowship; 2006 Lucille Lortel Award for Outstanding Choreography for The Seven; 2005 Wexner Prize; the 2005 Samuel H. Scripps American Dance Festival Award for Lifetime Achievement; 2005 Harlem Renaissance Award; 2003 Dorothy and Lillian Gish Prize; and a 1994 MacArthur “Genius” Award. In 2010\, Jones was recognized as Officier de l’Ordre des Arts et des Lettres by the French government\, and in 2000\, The Dance Heritage Coalition named Jones “An Irreplaceable Dance Treasure.” Jones was nominated for the 2022 Tony Awards for his work on Paradise Square. Jones choreographed and performed worldwide with his late partner\, Arnie Zane\, before forming the Bill T. Jones/Arnie Zane Company in 1982. He has created more than 140 works for his company. Jones is Artistic Director of New York Live Arts\, an internationally recognized destination for performance\, artist services\, and live gathering. \nSamora Pinderhughes is a multidisciplinary artist\, composer\, pianist/vocalist and filmmaker known for striking vulnerability and carefully crafted\, radically honest art. He is also known for using his art to examine sociopolitical issues and fight for change.  \nPinderhughes is the first-ever Art for Justice + Soros Justice Fellow and a recipient of Chamber Music America’s 2020 Visionary Award. He has also been designated as a Creative Capital awardee\, a United States Artists Fellow\, and a Sundance Composers Lab fellow. He was the 2025 MoMA Adobe Creative Resident and was awarded the “Spark of Change” Award from APAP in 2026.  \nOver the past 44 years\, the Bill T. Jones/Arnie Zane Company has shaped the evolution of contemporary dance through the creation and performance of over 140 works. Founded as a multicultural dance company in 1982\, the company was born of an 11-year artistic collaboration between Bill T. Jones and Arnie Zane. Today\, the company is recognized as one of the most innovative and powerful forces in the modern dance world. The company has performed its ever-enlarging repertoire worldwide in over 200 cities in 30 countries on every major continent. In 2011\, the Bill T. Jones/Arnie Zane Company merged with Dance Theater Workshop to form New York Live Arts of which Bill T. Jones is the Artistic Director.\n \n\nThe creation of new work by Bill T. Jones/Arnie Zane Company is made possible in part by the company’s Partners in Creation: Anne Delaney\, Zoe Eskin\, Eleanor Friedman\, Ruth & Stephen Hendel\, Suzanne Karpas\, Ellen M. Poss\, Jane Bovingdon Semel\, Rachel Shapiro in memory of Linda G. Shapiro\, and Slobodan Randjelović & Jon Stryker. \nFunding for the River To River Festival is provided by The NYC Department of Cultural Affairs\, Howard Gilman Foundation\, Lily Auchincloss Foundation\, and The Robert Lehman Foundation. River To River is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. Additional funding for the Bill T. Jones project is provided by Battery Park City Authority\, The National Endowment for the Arts\, and Harkness Foundation for Dance.
URL:https://lmcc.net/events/curriculum-iv-spin-and-spin-turn-turn-turn-2/2026-09-12/
LOCATION:Robert F. Wagner Jr. Park\, 20 Battery Place\, New York\, NY\, 10280\, United States
ATTACH;FMTTYPE=image/png:https://lmcc.net/wp-content/uploads/2026/07/bill-T_1-1-scaled.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260912
DTEND;VALUE=DATE:20260913
DTSTAMP:20260730T014424Z
CREATED:20260730T014021Z
LAST-MODIFIED:20260730T014424Z
UID:10000226-1789241400-1789249464@lmcc.net
SUMMARY:TEST TEST Curriculum IV: Spin and Spin! Turn! Turn! Turn!
DESCRIPTION:Join us for the world premiere of a new work from visionary artist Bill T. Jones [and Samora Pinderhughes]. \nCurriculum IV: Spin and Spin! Turn! Turn! Turn! responds to a performance commissioned by LMCC (Lower Manhattan Cultural Council) and originally scheduled to premiere on September 12\, 2001 on the plaza of the Twin Towers. The work commemorates the 25th anniversary of that suspended moment—and all that has unfolded since. \nBill T. Jones and collaborator composer Samora Pinderhughes forge an intergenerational bridge where both artists search within themselves and their respective creative interests to meditate on loss\, and their distinct responses to the 25-year aftermath of 9/11 and other cataclysms spiralling into our era of loss of freedom\, speech\, movement\, and justice. \nFeaturing dancers from Bill T. Jones/Arnie Zane Company and live musicians\, Spin and Spin! Turn! Turn! Turn! brings dance back to Lower Manhattan\, shaped by resilience and the passage of time. \nBill T. Jones’s Curriculum series originated in reference to a quote from Cameroonian historian and political theorist Achille Mbembe in a 2018 interview\, in which he proposed an archive-expanding “planetary curriculum.” Taking inspiration from this idea\, Jones has created three previous Curriculum works colliding formal exploration with urgent contemporary questions. The multi-work pursuit takes a protean approach to asking\, as Jones describes\, “What does a contemporary progressive person have to know to live and work efficiently and morally in the world today?” \nFree | August 10\, 12\, 13\, 7:30pm | Robert F. Wagner Jr. Park | Let us know you’re attending! RSVP here. \nCommissioned by Lower Manhattan Cultural Council and presented in partnership with New York Live Arts and Battery Park City Authority as part of the 2026 River To River Festival. \nPLEASE NOTE: No assigned seating\, first come\, first served in the amphitheater seating. Lawn chairs and blankets are permitted on the Wagner lawn. Patrons may be asked to make room to allow for more guests. Food and beverage will be available for purchase\, picnics are allowed. \n\nBill T. Jones (Artistic Director/Co-Founder/Choreographer: Bill T. Jones/Arnie Zane Company; Artistic Director: New York Live Arts)  is a multi-talented artist\, choreographer\, dancer\, theater director and writer. He was the Associate Artist of the 2020 Holland Festival and recipient of the 2014 Doris Duke Performing Artist Award; the 2013 National Medal of Arts; the 2010 Kennedy Center Honors; a 2010 Tony Award for Best Choreography of the critically acclaimed Fela!; a 2007 Tony Award\, 2007 Obie Award\, and 2006 Stage Directors and Choreographers Foundation Callaway Award for his choreography for Spring Awakening; the 2010 Jacob’s Pillow Dance Award; 2007 USA Eileen Harris Norton Fellowship; 2006 Lucille Lortel Award for Outstanding Choreography for The Seven; 2005 Wexner Prize; the 2005 Samuel H. Scripps American Dance Festival Award for Lifetime Achievement; 2005 Harlem Renaissance Award; 2003 Dorothy and Lillian Gish Prize; and a 1994 MacArthur “Genius” Award. In 2010\, Jones was recognized as Officier de l’Ordre des Arts et des Lettres by the French government\, and in 2000\, The Dance Heritage Coalition named Jones “An Irreplaceable Dance Treasure.” Jones was nominated for the 2022 Tony Awards for his work on Paradise Square. Jones choreographed and performed worldwide with his late partner\, Arnie Zane\, before forming the Bill T. Jones/Arnie Zane Company in 1982. He has created more than 140 works for his company. Jones is Artistic Director of New York Live Arts\, an internationally recognized destination for performance\, artist services\, and live gathering. \nSamora Pinderhughes is a multidisciplinary artist\, composer\, pianist/vocalist and filmmaker known for striking vulnerability and carefully crafted\, radically honest art. He is also known for using his art to examine sociopolitical issues and fight for change.  \nPinderhughes is the first-ever Art for Justice + Soros Justice Fellow and a recipient of Chamber Music America’s 2020 Visionary Award. He has also been designated as a Creative Capital awardee\, a United States Artists Fellow\, and a Sundance Composers Lab fellow. He was the 2025 MoMA Adobe Creative Resident and was awarded the “Spark of Change” Award from APAP in 2026.  \nOver the past 44 years\, the Bill T. Jones/Arnie Zane Company has shaped the evolution of contemporary dance through the creation and performance of over 140 works. Founded as a multicultural dance company in 1982\, the company was born of an 11-year artistic collaboration between Bill T. Jones and Arnie Zane. Today\, the company is recognized as one of the most innovative and powerful forces in the modern dance world. The company has performed its ever-enlarging repertoire worldwide in over 200 cities in 30 countries on every major continent. In 2011\, the Bill T. Jones/Arnie Zane Company merged with Dance Theater Workshop to form New York Live Arts of which Bill T. Jones is the Artistic Director.\n \n\nThe creation of new work by Bill T. Jones/Arnie Zane Company is made possible in part by the company’s Partners in Creation: Anne Delaney\, Zoe Eskin\, Eleanor Friedman\, Ruth & Stephen Hendel\, Suzanne Karpas\, Ellen M. Poss\, Jane Bovingdon Semel\, Rachel Shapiro in memory of Linda G. Shapiro\, and Slobodan Randjelović & Jon Stryker. \nFunding for the River To River Festival is provided by The NYC Department of Cultural Affairs\, Howard Gilman Foundation\, Lily Auchincloss Foundation\, and The Robert Lehman Foundation. River To River is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. Additional funding for the Bill T. Jones project is provided by Battery Park City Authority\, The National Endowment for the Arts\, and Harkness Foundation for Dance.
URL:https://lmcc.net/events/test-curriculum-iv-spin-and-spin-turn-turn-turn/2026-09-12/
LOCATION:Robert F. Wagner Jr. Park\, 20 Battery Place\, New York\, NY\, 10280\, United States
ATTACH;FMTTYPE=image/png:https://lmcc.net/wp-content/uploads/2026/07/bill-T_1-1-scaled.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260913T193000
DTEND;TZID=America/New_York:20260913T213627
DTSTAMP:20260730T013626Z
CREATED:20260730T012640Z
LAST-MODIFIED:20260730T013626Z
UID:10000219-1789327800-1789335387@lmcc.net
SUMMARY:Curriculum IV: Spin and Spin! Turn! Turn! Turn!
DESCRIPTION:Join us for the world premiere of a new work by visionary artist Bill T. Jones.  \nThis piece responds to a collaboration between the company and Lower Manhattan Cultural Council that was originally scheduled to premiere on September 12\, 2001\, on a stage set between the Twin Towers.  \nCommemorating the 25th anniversary of that suspended moment—and all that has unfolded since—this premiere brings dance back to Lower Manhattan\, shaped by resilience and the passage of time. \nBill T. Jones’s Curriculum series originated in reference to a quote from Cameroonian historian and political theorist Achille Mbembe in a 2018 interview\, in which he proposed an archive-expanding “planetary curriculum.” Taking inspiration from this idea\, Jones has now created three (and with this\, his fourth) Curriculum works colliding formal exploration with urgent contemporary questions. The multi-work pursuit takes a protean approach to asking\, as Jones describes\, “What does a contemporary progressive person have to know to live and work efficiently and morally in the world today?”  \nJones\, in collaboration with composer Samora Pinderhughes\, forges an intergenerational bridge as both artists search within themselves and their respective creative interests to meditate on loss\, and their distinct responses to the 25-year aftermath of 9/11 and other cataclysms spiralling into our era of loss of freedom\, speech\, movement\, and justice. Together\, the two built a playlist\, at the heart of which is the ancient teaching embedded in Nina Simone’s warmly gutting rendition of “Turn! Turn! Turn! (To Everything There Is a Season)\,” Pete Seeger’s twist on the Book of Ecclesiastes. The work’s setting in public space likewise opens it into a reflection not only of two artists’ considerations of our past and present\, but that of everyone there looking out from the park “at the aspirational symbol of America\,” as Jones describes—the Statue of Liberty. \nFree | August 10\, 12\, 13\, 7:30pm | Robert F. Wagner Jr. Park | Let us know you’re attending! RSVP here. \nCommissioned by Lower Manhattan Cultural Council and presented in partnership with New York Live Arts and Battery Park City Authority as part of the 2026 River To River Festival. \nPLEASE NOTE: No assigned seating\, first come\, first served in the amphitheater seating. Lawn chairs and blankets are permitted on the Wagner lawn. Patrons may be asked to make room to allow for more guests. Food and beverage will be available for purchase\, picnics are allowed. \n\nBill T. Jones (Artistic Director/Co-Founder/Choreographer: Bill T. Jones/Arnie Zane Company; Artistic Director: New York Live Arts)  is a multi-talented artist\, choreographer\, dancer\, theater director and writer. He was the Associate Artist of the 2020 Holland Festival and recipient of the 2014 Doris Duke Performing Artist Award; the 2013 National Medal of Arts; the 2010 Kennedy Center Honors; a 2010 Tony Award for Best Choreography of the critically acclaimed Fela!; a 2007 Tony Award\, 2007 Obie Award\, and 2006 Stage Directors and Choreographers Foundation Callaway Award for his choreography for Spring Awakening; the 2010 Jacob’s Pillow Dance Award; 2007 USA Eileen Harris Norton Fellowship; 2006 Lucille Lortel Award for Outstanding Choreography for The Seven; 2005 Wexner Prize; the 2005 Samuel H. Scripps American Dance Festival Award for Lifetime Achievement; 2005 Harlem Renaissance Award; 2003 Dorothy and Lillian Gish Prize; and a 1994 MacArthur “Genius” Award. In 2010\, Jones was recognized as Officier de l’Ordre des Arts et des Lettres by the French government\, and in 2000\, The Dance Heritage Coalition named Jones “An Irreplaceable Dance Treasure.” Jones was nominated for the 2022 Tony Awards for his work on Paradise Square. Jones choreographed and performed worldwide with his late partner\, Arnie Zane\, before forming the Bill T. Jones/Arnie Zane Company in 1982. He has created more than 140 works for his company. Jones is Artistic Director of New York Live Arts\, an internationally recognized destination for performance\, artist services\, and live gathering. \nSamora Pinderhughes is a multidisciplinary artist\, composer\, pianist/vocalist and filmmaker known for striking vulnerability and carefully crafted\, radically honest art. He is also known for using his art to examine sociopolitical issues and fight for change.  \nPinderhughes is the first-ever Art for Justice + Soros Justice Fellow and a recipient of Chamber Music America’s 2020 Visionary Award. He has also been designated as a Creative Capital awardee\, a United States Artists Fellow\, and a Sundance Composers Lab fellow. He was the 2025 MoMA Adobe Creative Resident and was awarded the “Spark of Change” Award from APAP in 2026.  \nOver the past 44 years\, the Bill T. Jones/Arnie Zane Company has shaped the evolution of contemporary dance through the creation and performance of over 140 works. Founded as a multicultural dance company in 1982\, the company was born of an 11-year artistic collaboration between Bill T. Jones and Arnie Zane. Today\, the company is recognized as one of the most innovative and powerful forces in the modern dance world. The company has performed its ever-enlarging repertoire worldwide in over 200 cities in 30 countries on every major continent. In 2011\, the Bill T. Jones/Arnie Zane Company merged with Dance Theater Workshop to form New York Live Arts of which Bill T. Jones is the Artistic Director.\n \n\nThe creation of new work by Bill T. Jones/Arnie Zane Company is made possible in part by the company’s Partners in Creation: Anne Delaney\, Zoe Eskin\, Eleanor Friedman\, Ruth & Stephen Hendel\, Suzanne Karpas\, Ellen M. Poss\, Jane Bovingdon Semel\, Rachel Shapiro in memory of Linda G. Shapiro\, and Slobodan Randjelović & Jon Stryker. \nFunding for the River To River Festival is provided by The NYC Department of Cultural Affairs\, Howard Gilman Foundation\, Lily Auchincloss Foundation\, and The Robert Lehman Foundation. River To River is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. Additional funding for the Bill T. Jones project is provided by Battery Park City Authority\, The National Endowment for the Arts\, and Harkness Foundation for Dance.
URL:https://lmcc.net/events/curriculum-iv-spin-and-spin-turn-turn-turn-2/2026-09-13/
LOCATION:Robert F. Wagner Jr. Park\, 20 Battery Place\, New York\, NY\, 10280\, United States
ATTACH;FMTTYPE=image/png:https://lmcc.net/wp-content/uploads/2026/07/bill-T_1-1-scaled.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260913
DTEND;VALUE=DATE:20260914
DTSTAMP:20260730T014424Z
CREATED:20260730T014021Z
LAST-MODIFIED:20260730T014424Z
UID:10000227-1789327800-1789335864@lmcc.net
SUMMARY:TEST TEST Curriculum IV: Spin and Spin! Turn! Turn! Turn!
DESCRIPTION:Join us for the world premiere of a new work from visionary artist Bill T. Jones [and Samora Pinderhughes]. \nCurriculum IV: Spin and Spin! Turn! Turn! Turn! responds to a performance commissioned by LMCC (Lower Manhattan Cultural Council) and originally scheduled to premiere on September 12\, 2001 on the plaza of the Twin Towers. The work commemorates the 25th anniversary of that suspended moment—and all that has unfolded since. \nBill T. Jones and collaborator composer Samora Pinderhughes forge an intergenerational bridge where both artists search within themselves and their respective creative interests to meditate on loss\, and their distinct responses to the 25-year aftermath of 9/11 and other cataclysms spiralling into our era of loss of freedom\, speech\, movement\, and justice. \nFeaturing dancers from Bill T. Jones/Arnie Zane Company and live musicians\, Spin and Spin! Turn! Turn! Turn! brings dance back to Lower Manhattan\, shaped by resilience and the passage of time. \nBill T. Jones’s Curriculum series originated in reference to a quote from Cameroonian historian and political theorist Achille Mbembe in a 2018 interview\, in which he proposed an archive-expanding “planetary curriculum.” Taking inspiration from this idea\, Jones has created three previous Curriculum works colliding formal exploration with urgent contemporary questions. The multi-work pursuit takes a protean approach to asking\, as Jones describes\, “What does a contemporary progressive person have to know to live and work efficiently and morally in the world today?” \nFree | August 10\, 12\, 13\, 7:30pm | Robert F. Wagner Jr. Park | Let us know you’re attending! RSVP here. \nCommissioned by Lower Manhattan Cultural Council and presented in partnership with New York Live Arts and Battery Park City Authority as part of the 2026 River To River Festival. \nPLEASE NOTE: No assigned seating\, first come\, first served in the amphitheater seating. Lawn chairs and blankets are permitted on the Wagner lawn. Patrons may be asked to make room to allow for more guests. Food and beverage will be available for purchase\, picnics are allowed. \n\nBill T. Jones (Artistic Director/Co-Founder/Choreographer: Bill T. Jones/Arnie Zane Company; Artistic Director: New York Live Arts)  is a multi-talented artist\, choreographer\, dancer\, theater director and writer. He was the Associate Artist of the 2020 Holland Festival and recipient of the 2014 Doris Duke Performing Artist Award; the 2013 National Medal of Arts; the 2010 Kennedy Center Honors; a 2010 Tony Award for Best Choreography of the critically acclaimed Fela!; a 2007 Tony Award\, 2007 Obie Award\, and 2006 Stage Directors and Choreographers Foundation Callaway Award for his choreography for Spring Awakening; the 2010 Jacob’s Pillow Dance Award; 2007 USA Eileen Harris Norton Fellowship; 2006 Lucille Lortel Award for Outstanding Choreography for The Seven; 2005 Wexner Prize; the 2005 Samuel H. Scripps American Dance Festival Award for Lifetime Achievement; 2005 Harlem Renaissance Award; 2003 Dorothy and Lillian Gish Prize; and a 1994 MacArthur “Genius” Award. In 2010\, Jones was recognized as Officier de l’Ordre des Arts et des Lettres by the French government\, and in 2000\, The Dance Heritage Coalition named Jones “An Irreplaceable Dance Treasure.” Jones was nominated for the 2022 Tony Awards for his work on Paradise Square. Jones choreographed and performed worldwide with his late partner\, Arnie Zane\, before forming the Bill T. Jones/Arnie Zane Company in 1982. He has created more than 140 works for his company. Jones is Artistic Director of New York Live Arts\, an internationally recognized destination for performance\, artist services\, and live gathering. \nSamora Pinderhughes is a multidisciplinary artist\, composer\, pianist/vocalist and filmmaker known for striking vulnerability and carefully crafted\, radically honest art. He is also known for using his art to examine sociopolitical issues and fight for change.  \nPinderhughes is the first-ever Art for Justice + Soros Justice Fellow and a recipient of Chamber Music America’s 2020 Visionary Award. He has also been designated as a Creative Capital awardee\, a United States Artists Fellow\, and a Sundance Composers Lab fellow. He was the 2025 MoMA Adobe Creative Resident and was awarded the “Spark of Change” Award from APAP in 2026.  \nOver the past 44 years\, the Bill T. Jones/Arnie Zane Company has shaped the evolution of contemporary dance through the creation and performance of over 140 works. Founded as a multicultural dance company in 1982\, the company was born of an 11-year artistic collaboration between Bill T. Jones and Arnie Zane. Today\, the company is recognized as one of the most innovative and powerful forces in the modern dance world. The company has performed its ever-enlarging repertoire worldwide in over 200 cities in 30 countries on every major continent. In 2011\, the Bill T. Jones/Arnie Zane Company merged with Dance Theater Workshop to form New York Live Arts of which Bill T. Jones is the Artistic Director.\n \n\nThe creation of new work by Bill T. Jones/Arnie Zane Company is made possible in part by the company’s Partners in Creation: Anne Delaney\, Zoe Eskin\, Eleanor Friedman\, Ruth & Stephen Hendel\, Suzanne Karpas\, Ellen M. Poss\, Jane Bovingdon Semel\, Rachel Shapiro in memory of Linda G. Shapiro\, and Slobodan Randjelović & Jon Stryker. \nFunding for the River To River Festival is provided by The NYC Department of Cultural Affairs\, Howard Gilman Foundation\, Lily Auchincloss Foundation\, and The Robert Lehman Foundation. River To River is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. Additional funding for the Bill T. Jones project is provided by Battery Park City Authority\, The National Endowment for the Arts\, and Harkness Foundation for Dance.
URL:https://lmcc.net/events/test-curriculum-iv-spin-and-spin-turn-turn-turn/2026-09-13/
LOCATION:Robert F. Wagner Jr. Park\, 20 Battery Place\, New York\, NY\, 10280\, United States
ATTACH;FMTTYPE=image/png:https://lmcc.net/wp-content/uploads/2026/07/bill-T_1-1-scaled.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261107T000000
DTEND;TZID=America/New_York:20261110T000000
DTSTAMP:20260730T013626Z
CREATED:20260730T012640Z
LAST-MODIFIED:20260730T013626Z
UID:10000220-1794009600-1794268800@lmcc.net
SUMMARY:Curriculum IV: Spin and Spin! Turn! Turn! Turn!
DESCRIPTION:Join us for the world premiere of a new work by visionary artist Bill T. Jones.  \nThis piece responds to a collaboration between the company and Lower Manhattan Cultural Council that was originally scheduled to premiere on September 12\, 2001\, on a stage set between the Twin Towers.  \nCommemorating the 25th anniversary of that suspended moment—and all that has unfolded since—this premiere brings dance back to Lower Manhattan\, shaped by resilience and the passage of time. \nBill T. Jones’s Curriculum series originated in reference to a quote from Cameroonian historian and political theorist Achille Mbembe in a 2018 interview\, in which he proposed an archive-expanding “planetary curriculum.” Taking inspiration from this idea\, Jones has now created three (and with this\, his fourth) Curriculum works colliding formal exploration with urgent contemporary questions. The multi-work pursuit takes a protean approach to asking\, as Jones describes\, “What does a contemporary progressive person have to know to live and work efficiently and morally in the world today?”  \nJones\, in collaboration with composer Samora Pinderhughes\, forges an intergenerational bridge as both artists search within themselves and their respective creative interests to meditate on loss\, and their distinct responses to the 25-year aftermath of 9/11 and other cataclysms spiralling into our era of loss of freedom\, speech\, movement\, and justice. Together\, the two built a playlist\, at the heart of which is the ancient teaching embedded in Nina Simone’s warmly gutting rendition of “Turn! Turn! Turn! (To Everything There Is a Season)\,” Pete Seeger’s twist on the Book of Ecclesiastes. The work’s setting in public space likewise opens it into a reflection not only of two artists’ considerations of our past and present\, but that of everyone there looking out from the park “at the aspirational symbol of America\,” as Jones describes—the Statue of Liberty. \nFree | August 10\, 12\, 13\, 7:30pm | Robert F. Wagner Jr. Park | Let us know you’re attending! RSVP here. \nCommissioned by Lower Manhattan Cultural Council and presented in partnership with New York Live Arts and Battery Park City Authority as part of the 2026 River To River Festival. \nPLEASE NOTE: No assigned seating\, first come\, first served in the amphitheater seating. Lawn chairs and blankets are permitted on the Wagner lawn. Patrons may be asked to make room to allow for more guests. Food and beverage will be available for purchase\, picnics are allowed. \n\nBill T. Jones (Artistic Director/Co-Founder/Choreographer: Bill T. Jones/Arnie Zane Company; Artistic Director: New York Live Arts)  is a multi-talented artist\, choreographer\, dancer\, theater director and writer. He was the Associate Artist of the 2020 Holland Festival and recipient of the 2014 Doris Duke Performing Artist Award; the 2013 National Medal of Arts; the 2010 Kennedy Center Honors; a 2010 Tony Award for Best Choreography of the critically acclaimed Fela!; a 2007 Tony Award\, 2007 Obie Award\, and 2006 Stage Directors and Choreographers Foundation Callaway Award for his choreography for Spring Awakening; the 2010 Jacob’s Pillow Dance Award; 2007 USA Eileen Harris Norton Fellowship; 2006 Lucille Lortel Award for Outstanding Choreography for The Seven; 2005 Wexner Prize; the 2005 Samuel H. Scripps American Dance Festival Award for Lifetime Achievement; 2005 Harlem Renaissance Award; 2003 Dorothy and Lillian Gish Prize; and a 1994 MacArthur “Genius” Award. In 2010\, Jones was recognized as Officier de l’Ordre des Arts et des Lettres by the French government\, and in 2000\, The Dance Heritage Coalition named Jones “An Irreplaceable Dance Treasure.” Jones was nominated for the 2022 Tony Awards for his work on Paradise Square. Jones choreographed and performed worldwide with his late partner\, Arnie Zane\, before forming the Bill T. Jones/Arnie Zane Company in 1982. He has created more than 140 works for his company. Jones is Artistic Director of New York Live Arts\, an internationally recognized destination for performance\, artist services\, and live gathering. \nSamora Pinderhughes is a multidisciplinary artist\, composer\, pianist/vocalist and filmmaker known for striking vulnerability and carefully crafted\, radically honest art. He is also known for using his art to examine sociopolitical issues and fight for change.  \nPinderhughes is the first-ever Art for Justice + Soros Justice Fellow and a recipient of Chamber Music America’s 2020 Visionary Award. He has also been designated as a Creative Capital awardee\, a United States Artists Fellow\, and a Sundance Composers Lab fellow. He was the 2025 MoMA Adobe Creative Resident and was awarded the “Spark of Change” Award from APAP in 2026.  \nOver the past 44 years\, the Bill T. Jones/Arnie Zane Company has shaped the evolution of contemporary dance through the creation and performance of over 140 works. Founded as a multicultural dance company in 1982\, the company was born of an 11-year artistic collaboration between Bill T. Jones and Arnie Zane. Today\, the company is recognized as one of the most innovative and powerful forces in the modern dance world. The company has performed its ever-enlarging repertoire worldwide in over 200 cities in 30 countries on every major continent. In 2011\, the Bill T. Jones/Arnie Zane Company merged with Dance Theater Workshop to form New York Live Arts of which Bill T. Jones is the Artistic Director.\n \n\nThe creation of new work by Bill T. Jones/Arnie Zane Company is made possible in part by the company’s Partners in Creation: Anne Delaney\, Zoe Eskin\, Eleanor Friedman\, Ruth & Stephen Hendel\, Suzanne Karpas\, Ellen M. Poss\, Jane Bovingdon Semel\, Rachel Shapiro in memory of Linda G. Shapiro\, and Slobodan Randjelović & Jon Stryker. \nFunding for the River To River Festival is provided by The NYC Department of Cultural Affairs\, Howard Gilman Foundation\, Lily Auchincloss Foundation\, and The Robert Lehman Foundation. River To River is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. Additional funding for the Bill T. Jones project is provided by Battery Park City Authority\, The National Endowment for the Arts\, and Harkness Foundation for Dance.
URL:https://lmcc.net/events/curriculum-iv-spin-and-spin-turn-turn-turn-2/2026-11-07/
LOCATION:Robert F. Wagner Jr. Park\, 20 Battery Place\, New York\, NY\, 10280\, United States
ATTACH;FMTTYPE=image/png:https://lmcc.net/wp-content/uploads/2026/07/bill-T_1-1-scaled.png
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END:VCALENDAR