ART
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Artists

120 Broadway

Manuel Acevedo
Negar Ahkami
Kenseth Armstead*
Michael Cataldi*
Lishan Chang
Kevin Cooley*
Cesar Cornejo
Dave Eppley
Lilah Freedland
Marc Ganzglass
Rossana Martinez*
Jillian McDonald
John Movius
Laura Nova
Sarah Oppenheimer
Kristen Schiele*

200 Hudson St.

Yasser Aggour
Scott Andresen*
Hrafnhildur Arnardottir*
Michael Bilsborough*
Michelle Handelman
Yoko Inoue
Diego Medina*
Trong Nguyen
Xaviera Simmons
Mary Ellen Strom
Roberto Visani

Writers
Jill Magi*
Ranbir Sidhu*

Visiting Artists
Albert Heta, ArtsLink Fellow
Klaus Schafler, Workspace Fellow

On-Site Assistant
Angelo Angeles

* Audio interview




Movius received a BFA in Photography & Imaging/Art & Public Policy for Tisch School of the Arts, New York University. Select exhibitions include Hinterconti Gallerie in Hamburg, Germany (artist and curator), Cinders Gallery in New York City, Orange County Center for Contemporary Art in California, Interstate Firehouse Cultural Center and Holocene, both in Portland, Oregon. He has been a featured artist at the National Grassroots Media Conference and Guild the Lily website. He received the Daniel Rosenberg Travel Fellowship Award and has published his photographs in Far From It (2006) poems by Andrew Tillinghast.


www.johnmovius.com


Stormwatchers Exclusive, 2005
Detail and Installation shot; light jet prints
30” x 40” each
“Stormwatchers Exclusive is a series of television reporters giving “eye of the storm” reports in severe weather. I am really fascinated by this phenomenon, especially after being trapped in Florida during a bad hurricane and watching nothing but these persistent weather reports. I found and/or captured the images online as low-res jpegs; the resulting large prints are really blown out and distorted.”
Click to enlarge


Aerial Surveillance, 2004
Light jet prints
30” x 40” each
“Aerial Surveillance is a series of 10 images that I found on the internet and further manipulated in Photoshop. Half of the images were originally taken for military use during bombing campaigns; the other half depicts archeological sites in need of further restoration. I deliberately chose images that look like they could fall under either category. This picture shows four examples.”
Click to enlarge